The following images are taken from on-set of SBY.
They show a lot of the technology in use, with a short description of what's going on.
From them you should be able to get a real feeling for the project and what was involved from a cinematography standing.

Two Vipers cameras in simultaneous use, with DoP Arturo Smith on the camera closest to us, and DFT (Digital Film Technician) Flo on the farther camera, checking technical camera set-ups.

1st unit Camera operator, Aldo.

Aldo and Viper again...

DoP Arturo Smith and Viper camera.

Blackout tent used for night-time shots of in-car sequences. Surprisingly effective...

Main Set for end of story fire sequence. Compare this to the following 'black set'.

The black, or mimic, set for the fire sequence.

Viper on-set.

Viper in the snow...

Out back of the main house location, with the Zeiss lens box.

Track set-up in the woods, with yet more snow.

In car filming with the Viper and S.two.

John O'Quigley, Data Monkey, in his normal habitat...

Viper on the back of a flat-bed for in-camera two shots.

An alternate view of the flat-bed set-up.

And a close-up...

Flo, the world's first DFT (Digital Film Technician) performing image data checks.

Flo checking levels via waveform monitoring. This is a key function for digital cinematography, and Flo is the best there is!

Viper about to go under water...

The High-speed Cine SpeedCam camera on use on the fire and water vfx set.

The main location...

The main location form another view - lovely!

Steve, performing the Making Of...

Monitor village, one of many locations...

Another location for monitor village...

And another...

From another angle...

Or in a truck in the woods...

So, what's wrong with the camera today???

2nd unit DoP Ross.

Oh, how he loves his camera...

Even when shooting in the snow...

See what I mean, a man and camera in love!!!

On set...

Sound in the wild woods...

Or in the warm...

Viper on steady-cam.

Working real hard...

And playing even harder!!!